Song Of A Baker

Food, Music, Sixties No Comments

I watched a doco on TV recently on the erratic but – to my mind – much under-rated 60s UK band, The Small Faces. Their 1968 ‘concept’ album Ogden’s Nutgone Flake, a psychedelic rock classic, was one of the first albums I bought. I still treasure this unique work – for the great music, the warped and inspired narrative in “Unwinese” by Stanley Unwin, and the eccentric fold-out tobacco tin cover (in good nick, this album is now a prize collectors’ item fetching $300+ …but I’d never sell mine).

ogdens cover

One of my favourite tracks is Song Of A Baker. Strange, but in all the times I’ve listened to this song, I’d never really pondered on the lyrics until the TV doco – even though I know them by heart:

There’s wheat in the field
And water in the stream
And salt in the mine
And an aching in me

I can longer stand and wonder
Cos I’m driven by this hunger

So I’ll jug some water, bake some flour
Store some salt and wait the hour

When thinking of love
Love is thinking for me
And the baker will come
And the baker I’ll be

I’m depending on my labour
The texture and the flavour

Hey!

I can no longer stand and wonder
Cos I’m driven by this hunger

So I’ll jug some water, bake some flour
Store some salt and wait the hour…

I found myself greatly moved as I finally properly ‘heard’ those words after all these years of listening to the record. I was moved because of the beauty of the song, because of the nostalgia it evoked in me, and because of knowing of the tragedies that would befall The Small Faces, both as a band and individually (they were unmercifully ripped off – killed off, effectively – by unscrupulous management; singer/writer/guitarist Steve Marriott subsequently developed schizophrenia and died in a house fire a bankrupt alcoholic without ever receiving a royalty payment for his work in the band, and co-writer/bassist Ronnie Lane died way too young of MS).

But back to the lyrics. Why did they finally ‘speak’ to me this time, and with such emotional impact?

Well, to answer that I need to ‘come out’ – to reveal a fundamental truth about myself that is known so far only to close friends, ex-close-friends and strangers.

I vividly recall my mother’s ‘coming out.’ One of my siblings asked her during the final stages of the illness that claimed her life how she saw herself. She was taken aback, thought a while before speaking, then stated firmly: “I’m a cook.”

Not a mother, as we might have expected her to see herself. A cook. And so she was. And a bloody good one, in the old-fashioned CWA style of her generation. Yet, her answer was surprising, for she had never before defined herself thus.

I’ve often pondered since then how I would answer such a question. I refuse to define myself in terms of any job I’ve had. I have never managed to find much – if any – meaning in the things I’ve done for money. Have never had a moment’s ambition to ‘progress’ in any workplace I’ve endured. The only point for me has been the pay cheque at the end of the fortnight and getting through the working day as quickly and smoothly as possible to the freedom that begins with clocking-off and ends with clocking on again.

Folk who know me are aware of the things I do well, that fire my imagination, get me animated, make me who I am – my ‘talents’ as they were once referred to, before too long went by without a public blooming.

What am I then?

A writer? Of blogs and movie reviews, yes, of occasional feature articles and even more occasional scripts and short stories, but nothing that counts. Not “the novel” I’ve dreamt of, and only dreamt of, all these years.

A songwriter? Yes, once, and for many years, but not for a long time now, perhaps never again, though melodic fragments still come to me, and at least one complete song lives in my head, unbirthed.

A cook? To be sure, and I think quite an accomplished one in a domestic context – but unlike my mother, and perhaps partly because of her, I cannot quite define myself that way. The fit is close, but not perfect.

This is perfect: I am a baker.

Yes. Not professionally, but you know now that that means nothing to me. I am a baker because I bake bread and am proud of my produce, and because when I bake I feel calm and assured, and ‘right’, as if it is something I was born to, even though it has taken me most of my adult life to discover it.

And it excites me unfailingly. The hand-mixing of those 4 basic ingredients – yeast, flour, water, salt – to form a dough with a life of its own that metamorphoses before my eyes into something good, life-giving, civilised, that crosses national boundaries, age and generations. The aroma that fills the kitchen during the bake. The 2 hour cooling of the loaf, the anticipation, the suspense as you cut into its end, exposing the crumb inside for the first time. The silent sharing of that first sample with my partner, almost solemn, as if it were a host, and the review that follows – a treasured ritual, now, that is part of our lives.

I am speaking of sourdough, specifically – the mysterious wild yeast that I summoned to my service like spirits to a séance just over 9 months ago now, just as the ancients did many centuries ago, as generation upon generation has done since. That I feed twice daily and talk to like a pet. That sacrifices itself to the dough’s rise so that we may have bread.

Beautiful bread. Bread to change your life.

There’s wheat in the fields
And water in the stream
And salt in the mines
And an aching in me…

Of course, metaphorical possibilities leap out of the lyrics of Song Of A Baker, but there can be no doubt that The Small Faces understood the calling of the baker, the peace to be found in the process, the wonder of conjuring bread from ingredients as simple and seemingly disparate as grain, water and salt. To bake bread is to invite the best of nature to your table. Who would not welcome such a guest?

Then there is the most important element of all – the secret ingredient of all good bread, of all good food. Except that it’s not really a secret. The Small Faces knew it. My mother knew it. All good cooks and all home artisan bread bakers know it. It is love. Sounds drippy, and hippy dippy, but godammit it’s the truth.



To home bakers of artisan bread everywhere (come ye reader, join us), and to the memory of Steve Marriott, Ronnie Lane and The Small Faces…with thanks.

The Boomtown Rap Awards For 2009

Food, Media, Movies, Popular Culture, Society, TV 5 Comments

Here they are again. Random, disorganised, informed by personal prejudice…just how you like it. Yes you do. YES, you DO!

Right, now that that’s established, are you all sitting comftybold two square on your botties? Then I’ll begin…

2009 Boomtown Rap Free-to-air TV Awards: The BR Bogeys

Pet Semetary Award: Hey Hey It’s Saturday. Whose idea was it to dig this rotting cadaver up, give it mouth-to-mouth and send it lurching back to TV land? I never could understand the popularity of Hey Hey even back in its halcyon days, but what do I know – exhuming it was a ratings winner. Daryl Somers proved there is plenty to eat in the afterlife. Other than that, what to say except thank God for the blackface ‘Red Faces’ skit – anything that riles Harry Connick Jnr gets my tick of approval.

Family Show of the Year: John Safran’s Race Relations. This is confessional comedy taken to its limits (until the next Safran outing). Read the rest…

‘Up In The Air’ – Movie Review

Uncategorized 2 Comments

It’s hot, I’ve been eating and drinking too much for too many days in succession, and I’m in lazy holiday mode. I don’t feel like banging out a review, but I just can’t let this movie pass without comment, so here goes. Last review for the year, short and sweet.

Up In The Air opens with a series of aerial shots of US cities that, in hindsight, sums up the perspective of the lead character, Ryan Bingham (George Clooney). Bingham is a high flyer, literally and figuratively. A corporate downsizing specialist enjoying boom times courtesy of the GFC, he spends most of his year in transit, flying all over the States to expertly perform the task bosses shirk from – firing staff. A doity job, but someone’s gotta do it, and there’s no one better at it than Bingham. Read the rest…

‘The Lovely Bones’ – Movie Review

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This new, much anticipated film of Peter Jackson’s starts promisingly enough. Take a run-of-the-mill suburban American family circa early 70s – accountant dad (Mark Wahlberg), well-groomed mom (Rachel Weisz), two daughters (Susie – Saoirse Ronan; Lindsey – Rose McIver), neat house in a typical suburban neighbourhood – then drop into this unremarkable mix a dramatic and shocking voiceover revelation from the oldest daughter (taken verbatim from the Alice Sebold novel upon which the film is based):
“My name is Salmon, like the fish; first name, Susie. I was 14 years old when I was murdered on December 6th, 1973.”

Blast-off! Cold chills, intrigue…we’re on our way!

There’s no doubting this is a good premise: a dead protagonist narrating the story of her murder and its aftermath. Plenty of dramatic scope here to explore the effects of grief on the family – and on Susie, whose violent and untimely death has left her with a swag of issues post-mortem. She must come to terms with her savage disengagement from her mortal coil, with her sense of bewilderment in the afterlife, with her powerlessness as she watches her family in the throes of mourning while her killer (creepily played by Stanley Tucci) escapes justice. Oh, not to mention witnessing her teen crush, Ray Singh (Reece Ritchie), slowly letting go of her memory and moving on to another girl, classmate Ruth Conners (Carolyn Dando).

Unfortunately, the dramatic potential of the premise is never realised. Read the rest…

‘The Hurt Locker’ – Movie Review

Movies No Comments

Back in the early days of the US occupation of Iraq, I recall a leftie friend blazing away with extreme anti-American rhetoric: “It’s the Yanks who are the terrorists…Bush is the dictator, not Saddam…blah blah…”

Well, although I agreed to an extent, the extremity of statements like these, the sheer lack of balance in lashing one side while ignoring the dark deeds of the other, irks me. Raves like this tap into what I hate about politics, and in particular, political idealism: otherwise tolerant and rational people become raging bigots, hypocrites, selective misanthropes, and worst of all, utterly righteous in their views and dismissive – personally damning, even – of those whose perspectives may differ from theirs. There is no hope of meaningful discourse with such people, no potential for learning.

As Madame Leftie raved on, I maintained a bland facade, containing the head of steam that was beginning to build – that is, until her declaration that “these American soldiers are nothing less than murderers and war criminals.” Read the rest…

‘Broken Embraces’ – Movie Review

Movies No Comments

Critics go apeshit over Almodóvar. As one of the canonised contemporary directors, a darling of the arthouse set, he begins each new film with a surplus of critical credit points. No surprise, then, that there are some raves for Broken Embraces. Whack on a genius label and many will see genius regardless of the product. The Emperor’s New Clothes syndrome is in there, but so too, I think, is a fear among critics of showing up as less than discerning. Gotta preserve yer status as informed and sophisticated film buffs, dontcha? Read the rest…

‘A Serious Man’ – Movie Review

Movies 6 Comments

The cinema was packed, and there was a buzz about the crowd – as you would expect at a pre-release viewing of a new Coen brothers movie.

The Coen boys have long been my favourite writer/directors. You know you’re in for a ride that is going to take you somewhere you haven’t been before. That there will be none of the usual Hollywood signposting, no comfortable formulae to fall back on. That however unfamiliar, however downright weird, wacky, off-beat the course they pursue and the terrain they explore, these drivers know their vehicle. So you strap yourself in and trust them to deliver. And almost always, they do.

Not this time. Not for me, at least. I just couldn’t get on to where the hell they were going with A Serious Man, and by around the half way mark, I didn’t really care. They’d worn me down to a point of fatigue that was hard to fight against. Bored in a Coen brothers movie? Afraid so. Read the rest…

‘Prime Mover’ – Movie Review

Movies 3 Comments

This is a movie of contrasts: the romanticism of lead character, Tom (Michael Dorman), who dreams of a life on the road as a truckie owner-driver, vs the gruelling reality; the openness and youthful optimism of ‘gypsy’ Melissa (Emily Barclay) vs the hard-bitten cynicism of her embittered mother; the basic decency of honest, hardworking truckie Phil (William McInnes) vs the vicious opportunism of fellow driver/drug-pusher/loan shark Johnnie (Ben Mendelsohn).

The narrative is built around these contrasts – a yin/yang battle, if you like. Gifted pin-striping artist Tom is a sensitive, creative soul who is torn between the two loves of his life – Melissa, and his prime mover. This curious ménage a trois proves unworkable. With Melissa stuck out in the middle of nowhere living in a caravan with their baby, and Tom on the road day and night taking speed to stay awake as he fights a losing battle to earn enough to keep up the killing interest payments on his beloved truck and ward off the circling loan shark, something has to give…

David Caesar states he’s been wanting to make this movie for a long time. Perplexing, then, that an experienced filmmaker of his calibre didn’t make better use of the extended gestation period. Read the rest…

‘Cold Souls’ – Movie Review

Movies 2 Comments

In an interesting interview on screencave.com, Cold Souls writer/director Sophie Barthes claims the central idea for the movie came from a dream in which she and Woody Allen found themselves standing in front of boxes containing their respective extracted souls. On taking a peek, Woody was offended to discover that his looked like a chickpea. She refused to look at hers…then woke up.

Intriguing, but promising story kernels are a dime a dozen. Strewth, I’ve dreamed up a few myself. It’s in the development of that initial premise where plots come unstuck, especially with scifi and absurdist drama. Cold Souls straddles both genres without fitting neatly into either. But it works and works well, maintaining an internal logic that anchors it in a sense of plausibility defying its absurdist elements, a la Kafka or Nikolai Gogol (my favourite Russian author, to indulge in an irrelevant aside). Read the rest…

‘The Brothers Bloom’ – Movie Review

Movies No Comments

Rian Johnson created quite a buzz with his low-budget debut, Brick. The Brothers Bloom is his much-anticipated follow-up. Well you can exhale, all you breathlessly excited Johnsonites. The news is not good. This thing’s a fizzer.

Not everyone thinks so, of course. Some critics have raved. The woman sitting behind me was shrieking her delight from the opening frames. Her shrill expulsions drilling through my cranium to rattle my teeth didn’t help my mood, it has to be said. But then, neither did the tiresome slapstick stunts that set her epiglottis all aquiver – eg: a reckless driver crashing her deluxe sportscar into her front wall; various sundry items being blown up for the hell of it. That’s the sort of obvious, clowny stuff Johnson has served up as humour here; there’s precious little wit in the dialogue. Read the rest…

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